Subtitle Cowboys Aliens
"First Contact. Last Stand.".A stranger stumbles into the desert town of Absolution with no memory of his past and a futuristic shackle around his wrist. With the help of mysterious beauty Ella and the iron-fisted Colonel Dolarhyde, he finds himself leading an unlikely posse of cowboys, outlaws, and Apache warriors against a common enemy from beyond this world in an epic showdown for survival.
subtitle Cowboys Aliens
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SUMMARY: COWBOYS & ALIENS stars Daniel Craig and Harrison Ford as two cowboys who lead a fight against invading aliens who want gold. Despite an overt Christian worldview, COWBOYS & ALIENS loses its way with too many plots, too much foul language, an Indian drug ceremony, and some New Age, pagan philosophy.
The beasties in both Joe Cornish's Attack the Block and Jon Favreau's Cowboys & Aliens are inclined to subtle infiltration, as opposed to the park-massive-spacecraft-above-major-city approach of those in Independence Day or District 9. In Block, they arrive in the housing projects of South London in meteor-like pods, their fiery descent camouflaged by the Guy Fawkes Night fireworks exploding all over the city. The furry black aliens, armed with a mouthful of luminous teeth, are here to breed, though what it means for humanity if they succeed isn't quite clear.
Daniel Craig and his icy blue gaze star as Jake Lonergan, a bandit who wakes up in the rocky New Mexico desert with no memories and no trace of what's happened to him, apart from a nasty wound in his side and a strange, bulky bracelet firmly clasped around his wrist. Finding his way into the local mining town, he's quickly identified as a wanted man, but his stagecoach to trial in Santa Fe is waylaid, first by Woodrow Dolarhyde (Harrison Ford), a man he stole from, and then by a sudden attack of aliens aboard small fighter crafts, lassoing and kidnapping the town's residents as they swoop down.
You can tell Favreau is having plenty of fun hitting all of his favorite Western elements: the silent stranger riding into town, the gang of bandits, Indian trackers, the thundering hooves of a posse on the move. At the start, it appears he's willing to treat the material with the winking tone a movie titled Cowboys & Aliens probably demands. Craig spends the first couple of scenes barely saying a word, shamelessly (and satisfyingly) channeling Clint Eastwood's "Man with No Name," and Favreau gives Ford's character a grand reveal that might as well bear the subtitle, "Yes, I do realize I've got Han Solo and Indiana Jones in my sci-fi Western, and it's pretty awesome, don't you think?" Ford plays along gamely, having more obvious fun playing a quasi-bad guy here than he's had onscreen in years.
Favreau works magic interweaving the two genres, showing equal respect for both. Western conventions entwine with science fiction ones. One moment, we're looking at an image pilfered from Alien; the next, we're watching a shadow of The Searchers. The way in which extraterrestrial involvement is explained in the 19th century uses religion rather than science as its lynchpin, which is understandable. What we would call "aliens" in 2011 are regarded as "demons." Still, the reaction to Lonergan's plasma weapon (or whatever kind of "ray gun" it is) is surprisingly understated, bordering on nonchalant.
Cowboys & Aliens has a great hook. Lonergan awakens in the middle of nowhere with a bloody wound in his side, a strange bracelet on his left arm, and no memory of anything except that he can speak English. An encounter with a group of would-be bounty hunters lets us know he's a man to be reckoned with. When he arrives at the nearest town, he refuses to back down when Percy Dolarhyde (Paul Dano), the arrogant son of Colonel Dolarhyde, insults him. This sets off a chain of circumstances pitting Lonergan against Dolarhyde until the aliens arrive in explosive fashion and forge them into reluctant allies. Meanwhile, a townswoman named Ellie (Olivia Wilde) is inordinately interested in Lonergan regaining his memory, and it's apparent she knows more than she's saying about the "demons" and the "bracelet" Lonergan uses to destroy them.
Because... it's old. It's old, it's from 1988, and to today's mass-market anime fans, that is ancient history. If it were Sailor Moon or Dragon Ball, that obviously wouldn't matter; but it's not. And all those bonus features? The commentaries, commercials, and all that stuff? That's just extra, unnecessary work, from a localization standpoint. There's a reason most of those "bonus" features tend to be ignored when a title is localized, and it's because there's an assumption, perhaps an incorrect one, that the fans don't necessarily miss them, so long as they can simply have the series on DVD or Blu Ray with subtitles. 041b061a72